![]() ![]() ![]() That Weinstein’s film was in the hunt at all against such finely calibrated Oscar bait was proof that his signature innovation-bringing the rough-and-tumble style of political campaigns to the staid and clubby Academy of Motion Picture Arts and Sciences-could work. It was March 21, 1999, the night Shakespeare in Love won the Academy Award for best picture, an honor many thought rightfully belonged to its stiffest competitor, Steven Spielberg’s $70 million World War II drama, Saving Private Ryan. At long last, the boorish New Yorker was basking in the recognition of the Hollywood establishment. ![]() The hulking studio head loomed behind his producers as they spoke, before he elbowed Ed Zwick out of the way to grab the microphone. Harvey Weinstein was rocking on his heels, a crumpled Oscar speech hanging from his tuxedo-pants pocket, his golden statuette placed on the stage floor like a cumbersome suitcase.
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